Not only does she not end up alone, but she also winds up with a totally different character than the one we see her developing feelings for in season two, Theo Sharpe.
Sister kate netflix series#
Race and color are very much a part of the world and a part of the show’s conversation, just like things like status and class and gender and sexuality are, and I think that’s part of what makes Bridgerton, Bridgerton.While early fans of the series might have expected Eloise to become a (gasp!) husband-less spinster, content with her books as her companion, the sassy middle child of the family’s storyline is surprising in several ways. “I don’t consider Bridgerton a color-blind show,” he says. In a previous guest column for THR, Van Dusen shared that, from the get-go, he wanted to create a series that was intentionally inclusive, turning the period genre on its head and reimagining it.
When Bridgerton first hit Netflix, it shattered the idea many people had of Regency period pieces, where white people have often been front and center and a person of color could be seen only occasionally, often in the background. They’re all telling a story and they’re all pushing the story forward.” “All the intimate scenes, they have a larger purpose.
“We never do a sex scene for the sake of doing the sex scene, and we never will,” he says. He would also sit down with Talbot and the director to figure out what they wanted to get from the scene and how it contributed to the bigger story. Van Dusen says the sex scenes were heavily choreographed and rehearsed like a stunt well in advance. “There were zero surprises, and then we could just focus on bringing the love story to life,” Ashley says. “So, it was incredibly dynamic and exciting, having those steamy scenes and all that angst and all that yearning and watching their chemistry build and build really makes the payoff worth it when we get there.” “The chemistry that you see and feel between Jonathan and Simone as Anthony and Kate is just out of this world,” Van Dusen says.
Leading up to that moment, there were several scenes where the two were within seconds of kissing, each time getting interrupted by someone or something. “The frustration you feel between the two of them, it builds from episode to episode, scene to scene, really, and it’s palpable.”Ĭontrary to season one where Daphne and Simon cave to their desire for each other relatively early on, it isn’t until the final moments of episode six in the eight-episode second season - mere minutes after Edwina calls off her and Anthony’s wedding - that Kate and the viscount finally give in to their longing for one another. “You watch them go toe-to-toe throughout the season,” he says. Van Dusen sees Kate and Anthony as magnets - polar opposites, who are drawn to each other in a way that’s out of their control. (When Daphne returns to the family home, she explains that she left her husband and newborn behind to help sister Eloise with her social debut.) Their courtship, which is based on the second book in Julia Quinn’s best-selling series, delivers a markedly different will they-won’t they love story compared to the fiery romance between Daphne and the departed Regé-Jean Page‘s Duke Simon Basset that launched the series into bingeworthy breakout status over Christmas in 2020. Over the course of the eight episodes, Kate and Anthony are at each other’s throats - bickering, bantering and yet drawn toward each other despite their seeming disdain. So, she spends most of the season fighting Anthony off and pushing Edwina toward other suitors who will give her the love Kate feels she deserves. Kate knows Anthony isn’t looking for love, and she wants better for the younger sister she’s looked after all of her life. Barack, Michelle Obama Surprise Crowd to Introduce Doc 'Descendant' at Martha's Vineyard African-American Film Fest
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